VERBINDUNGSTRACKS - Tracks mit bpm änderung

Spanky

Spanky

D'N'B JUNKIE
Dabei seit
20 Aug 2010
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Graz
Servus!

Da ich dazu keinen eindeutigen Sammelthread gefunden hab, dachte ich mach' mich mal nützlich. :D

Gesucht sind hier Tracks die in ihrem Verlauf die Geschwindigkeit (BPM) ändern und damit u.a. auch meistens das Genre. z.B.: 140 drop - break - 170 bpm drop

Bekanntestes Beispiel - Raise Your Weapon - deadmau5

Solche Tracks sind super um starke bpm veränderungen ohne effekte etc. zu managen. (wenn sie halt reinpassen)

Andere Varianten ohne "Verbindungstracks" siehe hier

Danke für alle Vorschläge!:) (Am besten mit Link und BPM)


hier sind meine_______________________________________________

140 vs. ~175bpm >Dubstep vs. Drum'n'Bass


J Rabbit & Tremourz - Sexy Party [Terravita Remix]

Modestep - Sunlight

DJ Fresh - Louder


Mars & Ben William - Colonized (Drumstepbreak)

Dieselboy - Invid (HULK Vip) claws dnb edit (free download)


Pendulum - Salt in the wounds
(Dubstepbreak)

_______________________________________________________________

175 vs. ~130bpm > Drum'n'Bass vs. House

Camo & Krooked - History of the Future

SHOCKONE - POLYGON (DIRTYPHONICS REMIX)

Task Horizon - Focused Locust

2000Fastwomen - Letters From Vienna (NAPT Mix) (Breakbeat zu dnb)



...mehr fallen mir grad nicht ein!
 
Super Thread!

Aboutblank & KLC - Speed of Light (Aboutblank & KLC Dubstepper Remix)
130 bpm, Electro House mit Dubstepbreak (wieviel bpm der hat weiß ich nich)

Ziggy Z - Bassdusche (Firesstorm Bootleg)
132 bpm Electro House, Break mit Violinen, ca 90 bpm

Links konnte ich leider keine vernünftigen finden, wenn ich weitere finde edite ich die hier rein, die zwei sind mir grade so spontan eingefallen.

;]
 
Finde die Idee des Threads an sich super... nur ... könntet ihr bitte eure youtube Links vorher checken, ob sie auch anzusehen sind? Alleine im ersten Post sind 3-4 Links die von der Gema gesperrt sind (jedenfalls hier in D).

Ansonsten: Super Idee!
 
Oh, und natürlich Contact von den Foreign Beggars. Wir nur schwer mit'm beatmatchen, außer man loopt den D&B-Teil, hat Nonames im Waagenbau in HH gemacht. Zur Unterhaltung ist Metropolis allerdings währenddessen auch in die Menge gesprungen :D
 
Finde die Idee des Threads an sich super... nur ... könntet ihr bitte eure youtube Links vorher checken, ob sie auch anzusehen sind? Alleine im ersten Post sind 3-4 Links die von der Gema gesperrt sind (jedenfalls hier in D).

Wers trotzdem sehen will: https://youtubeproxy.org/

BTW: Coole Idee, ich zB verwende gerne so Transitions von The Remix Cartell... (einfach mal suchen)

Edit: Konkrete Tracks kann ich grad nicht nennen, hab sie nicht auf diesem PC...
 
... könntet ihr bitte eure youtube Links vorher checken, ob sie auch anzusehen sind? Alleine im ersten Post sind 3-4 Links die von der Gema gesperrt sind (jedenfalls hier in D).

Sorry, ich bin aus Österreich. werde zukünftig auch noch auf Soundcloud suchen...
 
Dutch House - Moombahton

Bahasa (GTA Remix)
 
sk147cover.jpg

The name PAUL ‘SEIJI’ DOLBY doesn’t just count for something with DJs. As a member of the broken beat super group BUGZ IN THE ATTIC, to which other such illustrious names such as DAZ-I-KUE, ORIN ‘AFRONAUGHT’ WALTERS, KAIDI TATHAM or ALEX PHOUNTZI belong, the west Londoner has made a name for himself as a pioneer and innovator of club music.

Since the 1990s this eight piece collective have, from their home base in the London suburb of Richmond, built themselves an incomparable profile: their own label, BitaSweet Records, countless remixes for among others JAZZANOVA, AMY WINEHOUSE, MACY GRAY, VIKTER DUPLAIX, Blue-Note legend GENE HARRIS and 4HERO – the killer remix of Hold It Down first showed a greater public that something big was happening here.

Last year their major label debut album Back In The Doghouse was released, with which the BUGZ seem to have, through V2 Records, once and for all conquered the club world – hit singles such as Booty La La or the 80s remake Don’t Stop The Music certainly speak a plain language, which by now is also reaching an audience as a live act. In this success story SEIJI comes through with a very special prominence: BASEMENT JAXX, QUANTIC, IZZI DUNN, MICATONE and MARK DE CLIVE-LOWE are just some of the people who have asked him to remix their tracks. With a classical background (SEIJI is not just a producer and keyboardist but also a brilliant cellist) he always brings his rhythmic productions to the point which has also lead, for example, to releases on 4HERO’s label Reinforced and 2000black.

At the moment SEIJI is working on the next step in his career: in a way following in the footsteps of MATTHEW HERBERT he is producing tracks for the incomparable MOLOKO singer RÓISÍN MURPHY.

Despite all these various commitments SEIJI still found the time to make his skills available for a new project; with Seiji DJ Tools a brand new Sonar Kollektiv series is introduced, which places the focus not on artist albums but rather on functional music of a very high quality. It’s about a contemporary form of a library, about music that is produced and written (with a view to a very particular range of use. Whether, as in this case, DJ Tools, or radio jingles or soundtrack music, the tools series is also a creative playing field for well known producers. A field for experimentation off the beaten path, providing new options for the artists, as well as for the label and of course also for the listener. Two to three releases in this series are planned per year.

In the case of Seiji DJ Tools it is about a concrete problem that many DJs have who play eclectic sets with changes in tempo and stylistic variation; its not always easy to find good transitions, seamless transitions from one facet of a DJ set to the next. This is where the Seiji DJ-Tools comes into play; his solution is creating open sounding, crispy, two to three minute long, lovingly arranged club miniatures which any DJ can use within a set to allow changes in direction and breaks which don't just sound like a complete change of tack.

With a hint of grime, broken beat, hip hop, 80s funk, but also easy listening, its most clear that fast paced, tight breaks dominate – plus typical BUGZ ingredients such as square wave synths and the infamously fat bass lines. These sounds would suit DJ sets from broken beat through to drum & bass and on to electro. The Seiji DJ Tools will be available in every format imaginable, CD, vinyl, download (also as Wav files!), including details about length and tempo. It’s a veritable toolbox, accessible, with many applications and above all, with a really fat sound. And by the way, an edit by FRANK WIEDEMANN (ÂME) of Velour is already being worked on...

Hannes Bieger / Dirk Markham

1: Sweat Band 100 – 120 bpm - 02:14
© 2007 Sonar Kollektiv
2: Velour 122 bpm - 03:25
© 2007 Sonar Kollektiv
3: Loogaboo 120 - 100 bpm - 01:55
© 2007 Sonar Kollektiv
4: Bat Eyed 106 bpm - 02:25
© 2007 Sonar Kollektiv
5: Rasberries 116 - 123 bpm - 03:02
© 2007 Sonar Kollektiv
6: Not You 122 - 108 - 94 bpm - 02:00
© 2007 Sonar Kollektiv
7: Chiggy Time 161 - 130 bpm - 02:04
© 2007 Sonar Kollektiv
8: Dribbler 110 - 124 bpm - 02:12
© 2007 Sonar Kollektiv
9: Money 118 - 100 bpm - 02:00
© 2007 Sonar Kollektiv
10: I'm Sleepy 104 bpm - 02:46
© 2007 Sonar Kollektiv
11: Funny That 100 – 114 - 126 bpm - 02:15
© 2007 Sonar Kollektiv
12: Somehow 127 bpm - 02:33
© 2007 Sonar Kollektiv
13: Come On Everybody 126 - 110 bpm - 02:09
© 2007 Sonar Kollektiv
14: We Can Still Have A Party 105 - 138 - 105 bpm - 03:01
© 2007 Sonar Kollektiv
15: Charging 85 - 128 bpm - 02:37
© 2007 Sonar Kollektiv
16: Wave At The Bus 125 - 112 bpm - 02:18
© 2007 Sonar Kollektiv
17: Grimewave 140 bpm - 01:51
© 2007 Sonar Kollektiv
18: Shoobedoo 145 – 125 - 118 bpm - 01:44
© 2007 Sonar Kollektiv
19: Pyuta 130 - 105 bpm - 02:08
© 2007 Sonar Kollektiv
20: It's not working 130 - 120 bpm - 01:56
© 2007 Sonar Kollektiv
21: Lame 105 bpm - 01:40
© 2007 Sonar Kollektiv
http://www.junodownload.com/products/seiji-dj-tools/1261916-02/
 
Von Dubstep/Drumstep/Glitch Hop auf House passt IMO auch ganz gut:

Fatboy Slim - Push The Tempo (Moguai Remix)

Einfach den Break reinmischen und wenn es dann langsam schneller wird, dann kann man den alten rausblenden.
 
Neuer Track:

Krafty Kuts - Shake Them Hips (Drumsound & Bassline Smith Remix)

Grad voll am kommen.

Wechsel zwischen dem Original (House //130bpm) und Drum'n'Bass (174bpm)
 
keine tracks jetzt an sich, aber sehr viele sachen von the noisy freaks und dead cat bounce.
 
Angger Dimas - Kitchen 110-130
Angger Dimas - Work My Love 128-110-128
Hadouken! - Crank It Up (Noisia Remix) 147-133
Skrillex - Scary Monster and Nice Spirits (Noisia Remix - 2Deep Moombahton) 104-140
Angger Dimas - Hey Freak (2Deep & Rawb Personal Moombahton Bootleg Edit) 108-128
Richie August - Explosive! 140-108
Fatboy Slim - Ya Mama (Moguai Remix) 128-129,85 (ohne Sinn und Zweck)
Benny Benassi - Cinema (Skrillex Remix) Oh Snap Moombahton 110-145

Für alle Moombahtonfreunde
 

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